Tsippi Fleischer: Innovated Classics

Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 1, Piece of Earth

Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 2, Eyelids

Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 3, The Coffin with Its Lid Remote

Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 4, Girl-Butterfly-Girl

Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse

Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain (b); You Appease the Thirsty Spear

Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet

Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain (c); He Found Rest

Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise

Like Two Branches - Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain (d); I Shall Weep for you

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 8, 1.      Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)

Like Two Branches - Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic

Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 1, Piece of Earth

Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 2, Eyelids

Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 3, The Coffin with Its Lid Remote

Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 4, Girl-Butterfly-Girl

Song No. 3 from 'Girl Butterfly Girl' for voice & piano, sung in German: 'Der Sarg mit entferntem Deckel' ('The Coffin with Its Lid Remote')